Os arranjos poéticos- políticos de Alberto Pucheu

Abstract

This paper proposes to discuss how the poet and professor Alberto Pucheu makes use of speeches and other discourses as a matter for his poetic production. Called by him arrangements, these compositions, which appear in his first works, are taken from his original and ordinary space - usually from the daily life of the city and the streets - and released/ recreated in verses. In this sense, would the poet be the spokesman of these inscriptions, dislodging them from their most banal character, or a selector and assembler of excerpts from conversations, tickets, emails, various wiretaps? If part of this pre-existing material, what, after all, is "originality" in poetic writing? As a theoretical basis, we seek to bring up the debates on non-original authorship, by Marjorie Perloff (2013), and the procedures of appropriation of writings in the twenty-first century, such as the assembly practices, problematized by Leonardo Villa-Forte (2019). These gestures of moving, choosing and rearranging texts intensify the interventional dimension of poetry in our time.